World Theater Day 2023: World Theater Day raises the importance of theater arts, how they played an important role in the field of entertainment and the changes that theater brings to life. A message from renowned theater artists is delivered to reflect the theme ‘Theater and Culture of Peace’.
As we know, theater is a combination of various forms of fine arts that uses live artists, actors or actresses to present to a live audience the real experience in a specific location or perhaps on a stage. Nowadays, the importance of theater is decreasing, so this day is a wake-up call for governments, politicians, institutions and people to recognize the value of theater for the individual and also for people for growth. economic. Let’s study World Theater Day, its history, events, celebrations, importance, etc. through this article.
World Theater Day 2023: History
The International Theater Institute (ITI) was started in 1961 to celebrate World Theater Day across the world to appreciate the importance of theatre. On this day, ITI presents an annual message, delivered by a chosen famous theater artist, to share his or her views on the art of theater and its future. 1962, the first message was delivered by Jean Cocteau 1962. Did you know that this message is translated into more than 50 languages and printed in hundreds of newspapers? Through various institutions, this message was spread to all corners of the world. ITI has more than 85 centers around the world; also encourages universities, schools and theater professionals to celebrate this day.
The objectives of World Theater Day, like International Dance Day, are:- Highlight the importance of art forms around the world.- Raise awareness among people about the importance of the value of art forms. – Allow dance and theater communities to promote their work on a large scale. Raise awareness among opinion leaders about the value of these forms and support them.- Enjoy art for yourself.
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Message for World Theater Day 2023
Samiha AYOUB, an Egyptian actress, gave the message for 2023. She wrote: “To all my friends, theater artists around the world, I write this message on World Theater Day, and as much as I feel overwhelmed by the happiness of power When I speak to you, every fiber of my being trembles under the weight of what we all suffer – theater and non-theatre artists – due to the overwhelming pressures and mixed feelings in the midst of the state of the world today. Instability is a direct result of what our world is going through today in terms of conflicts, wars and natural disasters that have had devastating effects not only on our material world but also on our spiritual world and on our psychological peace….”
Samiha AYOUB was born in the Shubra neighborhood of Cairo. She obtained her degree in 1953 at the Higher Institute of Dramatic Arts, where the playwright Zaki Tulaimat was her teacher. Around 170 plays, including Raba’a Al-Adawiya, Sekkat Al-Salamah, Blood on the Curtains of the Kaaba, Agha Memnon and The Caucasus Chalk Circle, were performed on her stage during the course of her artistic career. She made numerous contributions to film and television, although her stage works constituted the majority of her creative output.
Shahid Nadeem’s Message for World Theater Day 2020
It is a great honor for me to write the Message for World Theater Day 2020. It is humbling, but it is also exciting to think that Pakistani theater and Pakistan itself have been recognized by the ITI, the most influential and representative global theater body of our times. This honor is also a tribute to Madeeha Gauhar, theater icon and founder of the Ajoka Theatre, also my life partner, who passed away two years ago. The Ajoka team has come a long and difficult path, literally from the street to the theater. But I’m sure that’s the story of many theater groups. It is never easy or calm. It’s always a struggle.
I come from a predominantly Muslim country, which has seen several military dictatorships, the horrific attack of religious extremists and three wars with neighboring India, with whom we share thousands of years of history and heritage. Today we still live in fear of a full-blown war with our twin brother neighbor, even a nuclear war, as both countries now have nuclear weapons.
Sometimes we jokingly say; “Bad times are good times for theater.” There is no shortage of challenges to face, contradictions to expose and status quo to subvert. My theater group, Ajoka and I, have been walking a tightrope for over 36 years. Indeed, it has been a tightrope: maintaining the balance between entertainment and education, between seeking and learning from the past and preparing for the future, between free creative expression and adventurous confrontations with authority, between socially critical and financially viable theater. , between reaching the masses and being avant-garde. It can be said that a theater creator has to be a conjurer, a magician.
In Pakistan there has been a clear division between the sacred and the profane. For the Profane there is no room for religious questioning, while for the Sacred there is no possibility of open debate or new ideas. In fact, the conservative establishment considers art and culture to be outside the bounds of its “sacred games.” So the playing field for performing artists has been like an obstacle course. They first have to prove their credentials as good Muslims and docile citizens and also try to establish that dance, music and drama are “permissible” in Islam. Therefore, a large number of practicing Muslims have been reluctant to embrace the performing arts even though elements of dance, music and theater are integrated into their daily lives. And then we stumbled upon a subculture that had the potential to bring the sacred and the profane to the same stage…
In 2019 Carlos CELDRAN from Cuba, is an award-winning and highly esteemed theater director, playwright, academic and professor, who lives and works in Havana, Cuba and presents his work around the world. He has been selected for the 2019 message.
Message from Carlos CELDRAN for World Theater Day 2019 is “Before I woke up to theater, my teachers were already there. They had built their houses and their poetic approach on the remains of their own lives. Many of them are unknown, or barely remembered: they worked from silence, in the humility of their rehearsal rooms and in their halls full of spectators and, little by little, after years of work and extraordinary achievements, they moved away from these places. and disappeared. When I understood that my personal destiny would be to follow in his footsteps, I also understood that I had inherited that exciting and unique tradition of living in the present with no other expectation than to achieve the transparency of an unrepeatable moment; a moment of encounter with another in the darkness of a theater, with no more protection than the truth of a gesture, a revealing word.
My theatrical homeland lies in those moments of encounter with the spectators who come to our theater night after night, from the most varied corners of my city, to accompany us and share a few hours, a few minutes. My life is built from those unique moments in which I stop being myself, from suffering for myself, and I am reborn and understand the meaning of the theatrical profession: living moments of pure ephemeral truth, where we know that what we say and do , there under the stage lights, is true and reflects the deepest and most personal part of ourselves. My theatrical country, mine and that of my actors, is a country woven from moments like this, where we leave behind the masks, the rhetoric, the fear of being who we are, and we hold hands in the darkness.
The theatrical tradition is horizontal. There is no one who can affirm that theater exists in any center of the world, in any city or privileged building. Theater, as I have received it, extends across an invisible geography that merges the lives of those who represent it and the theatrical craft into a single unifying gesture. All theater masters die with their moments of unrepeatable lucidity and beauty; They all fade away in the same way, without any other significance that protects them and makes them illustrious. Theater teachers know it, no recognition is valid in the face of that certainty that is the root of our work: creating moments of truth, ambiguity, strength, freedom in the midst of great precariousness. Nothing survives except data or records of their work in videos and photographs that will only capture a pale idea of what they did. However, what will always be missing from those records is the silent response of the public who understands in an instant that what is happening cannot be translated or found outside, that the shared truth is a life experience, for a few seconds, even. more diaphanous than life itself.
When I understood that the theater was a country in itself, an important territory that encompasses the entire world, a determination arose in me that was also the realization of a freedom: you do not have to go very far, nor move from where you are. They are, you don’t have to run or move. The audience is wherever you are. You have the companions you need at your side. There, outside your house, you have all the daily reality opaque, impenetrable. Then you work from that apparent immobility to design the greatest journey of all, to repeat the Odyssey, the journey of the Argonauts: you are an immobile traveler who never ceases to accelerate the density and rigidity of your real world. Your journey is towards the instant, towards the moment, towards the unrepeatable encounter with your peers. Your path is towards them, towards their heart, towards their subjectivity. You travel in them, in their emotions, in their memories that you awaken and mobilize. Your journey is dizzying and no one will be able to measure it or silence it. Nor will anyone be able to recognize it in its proper measure, it is a journey through the imagination of your people, a seed that is sown in the most remote lands: the civic, ethical and human conscience of your viewers. That’s why I don’t move, I stay at home, among those closest to me, in apparent stillness, working day and night, because I have the secret of speed.”
Source: WorldTheatreday.org, iti-worldwide.org
We cannot deny the importance of plays and plays. Theaters have played an important role since the Greeks, but today that role is diminishing. To make people aware of the importance of theatre, World Theater Day is celebrated by artists.
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Source: ptivs2.edu.vn