Best Tony Bennett Songs of All Time – Top 10 Moments with Pianists

Top 10 Best Tony Bennett Songs of All Time


Best Tony Bennett Songs

Released Year


The Boulevard of Broken Dreams



Strike Up the Band



I’m Thru With Love



The Best Is Yet to Come



Don’t Get Around Much Anymore






Some Other Time



I Got Lost in Her Arms



When Do the Bells Ring for Me



I Get a Kick Out of You


Best Tony Bennett Songs of All Time

Tony Bennett, a legendary figure in the world of music, has graced audiences with a remarkable array of timeless songs throughout his illustrious career. With a voice that exudes emotion and a mastery of interpreting lyrics, Bennett has become an icon in the realms of jazz, pop, and traditional vocal standards. From romantic ballads to jazzy tunes, his music has captivated generations and earned him numerous accolades, including 20 Grammy Awards. In this compilation, we present some of the best Tony Bennett songs of all time, each representing the essence of his extraordinary talent and leaving an indelible mark on the hearts of music enthusiasts worldwide.


1. The Boulevard of Broken Dreams (1950)

“The Boulevard of Broken Dreams,” released in 1950, holds the distinction of being one of Tony Bennett’s early breakthrough singles. This poignant rendition, signed under Columbia Records, showcased Bennett’s vocal prowess and marked the beginning of a long and prolific career. The song’s Spanish-inflected arrangement blended seamlessly with Bennett’s untethered expression of postwar bravado, impressing music enthusiasts and industry insiders alike. With a voice that exuded raw emotion and a captivating stage presence, Bennett demonstrated his ability to infuse depth and sincerity into each lyric he sang. “The Boulevard of Broken Dreams” served as a testament to Bennett’s talent, setting the stage for the many accolades and successes that would follow throughout his remarkable career.

2. Strike Up the Band (1959)

In 1959, Tony Bennett treated the world to his version of George and Ira Gershwin’s “Strike Up the Band.” This short but impressive rendition showcased Bennett’s admiration for the Count Basie band’s surging use of dynamics, and it further solidified his reputation as a versatile and skilled vocalist. With Billy Mitchell’s dazzling tenor sax solo and the band’s hard, swinging tempo, Bennett navigated the complexities of the song with unparalleled élan. His ability to interpret the Gershwin classic in a way that brought his own unique flair while staying true to the essence of the original composition demonstrated the depth of his artistry. “Strike Up the Band” remains a shining example of Bennett’s musical genius, leaving an indelible mark on the jazz and vocal standards landscape.

3. I’m Thru With Love (1961)

In 1961, Tony Bennett asserted his artistic vision and resisted commercial pressures when he recorded “I’m Thru With Love.” Departing from grand orchestral arrangements, Bennett chose to collaborate solely with pianist Ralph Sharon for this rendition of the jazz standard. The result was a streamlined and intimate version of the song that allowed Bennett’s emotive voice to shine through, drawing listeners into the heart of the melody. His decision to move away from the mainstream proved to be a triumph, as Bennett’s interpretation of “I’m Thru With Love” optimizes the song’s melancholic tone, making it a standout in his repertoire. This artistic integrity and dedication to his craft set the stage for Bennett’s enduring influence in the world of music, leaving an unforgettable legacy that continues to resonate with audiences around the globe.

4. The Best Is Yet to Come (1962)

In 1962, Tony Bennett released “The Best Is Yet to Come,” a captivating and optimistic track that became one of his signature songs. As the title suggests, the song exudes a sense of hope and excitement for the future, a sentiment that perfectly encapsulates Bennett’s optimistic outlook on life and music. With his velvety-smooth voice and impeccable phrasing, Bennett delivers the lyrics with a radiance of spirit that resonates deeply with listeners. The song’s jazzy arrangement complements Bennett’s vocals, making it a delightful and timeless piece that continues to inspire and uplift audiences. “The Best Is Yet to Come” is a testament to Bennett’s ability to infuse each performance with a sense of joy and anticipation, solidifying its place as one of his best and most beloved songs.

5. Don’t Get Around Much Anymore (1967)

In 1967, Tony Bennett demonstrated his immense appreciation for jazz legends with his rendition of “Don’t Get Around Much Anymore.” With Count Basie and Duke Ellington as his inspirations, Bennett effortlessly swings through the song’s upbeat tempo and intricate melody. His admiration for great jazz musicians is evident in every note, as he brings an air of authenticity and respect to the genre. Bennett’s confident yet laid-back delivery showcases his versatility as a vocalist, capturing the essence of the song’s longing and wistful emotions. “Don’t Get Around Much Anymore” stands as a testament to Bennett’s love for jazz and his ability to weave his unique charm into every song he performs, cementing its status as one of his finest interpretations of a classic jazz standard.

6. Something (1971)

In 1971, Tony Bennett took on a modern pop hit with his cover of “Something,” originally written by George Harrison of the Beatles. Despite facing a shift in the music landscape with the rise of rock and pop, Bennett effortlessly embraced the song’s romantic essence and made it his own. His matured voice brought a new depth to the composition, adding a layer of emotion and experience to the lyrics. The delicate balance between Bennett’s timeless vocal style and the contemporary charm of the song resulted in a moving rendition that stood as a testament to his adaptability and enduring appeal. “Something” showcases Bennett’s ability to connect with audiences across generations, proving that great music knows no boundaries of time or genre.

7. Some Other Time (1975)

In 1975, Tony Bennett showcased his affinity for pianists in the soul-stirring rendition of “Some Other Time.” The song, originally written by Leonard Bernstein, Betty Comden, and Adolph Green for the musical “On the Town,” became a canvas for Bennett’s emotive storytelling. His collaboration with the renowned jazz pianist Bill Evans added a layer of finesse to the performance. With Evans’s lyrical and prudent piano accompaniment, Bennett’s voice resonated with bittersweet rue, captivating listeners with the depth of emotion he poured into each note. The combination of Bennett’s mature vocal delivery and Evans’s masterful piano artistry created an unforgettable rendition that left a lasting impression on the hearts of all who experienced it.

8. I Got Lost in Her Arms (1986)

In 1986, Tony Bennett’s comeback was marked by a poignant performance of “I Got Lost in Her Arms.” Bennett’s journey back to the spotlight was steered by his son, Danny, who took over as manager and orchestrated a return to Columbia Records. On his acclaimed comeback album, Bennett’s voice, now slightly rougher with age, took on a new level of depth and maturity. In this song, a classic by Irving Berlin, Bennett showcased his ability to infuse his lower register with savvy understatement, bringing a sense of wistfulness to the lyrics. With only piano, bass, drums, and an orchestra as accompaniment, Bennett’s vocal finesse was on full display, enchanting audiences and reaffirming his status as a masterful storyteller through song.

9. When Do the Bells Ring for Me (1990)

As Tony Bennett’s extensive career delved into newer musical territory, he discovered a gem in Charles DeForest’s “When Do the Bells Ring for Me” in 1990. Delighted by the piano bar stalwart’s composition, Bennett made the song his own, turning it into a concert showcase. The song’s climactic high notes provided Bennett with the opportunity to exhibit his vocal prowess and artistry, drawing standing ovations from appreciative audiences. As he explored slightly younger material, Bennett proved that his interpretive skills transcended generations, leaving an enduring impact on music lovers worldwide.

10. I Get a Kick Out of You (2021)

In 2021, at the age of 95 and despite his diagnosis of Alzheimer’s disease, Tony Bennett’s artistry knew no bounds. In a collaboration with Lady Gaga for a Cole Porter-only album, Bennett brought his signature finesse to the playful rhymes of “I Get a Kick Out of You.” This track became a celebration of timeless music and Bennett’s enduring spirit as he continued to deliver Porter’s lyrics with charm and brilliance. The chemistry between Bennett and Lady Gaga added a contemporary touch to the classic, creating a memorable and refreshing rendition that delighted both longtime fans and new audiences alike. Despite the passage of time, Tony Bennett’s passion for his craft shone brightly in this remarkable performance, solidifying his place as a beloved and influential figure in the world of music.

How Did Tony Bennett’s Performances With Pianists Create Magical Musical Moments?

Tony Bennett’s performances with pianists created magical musical moments that showcased the depth of his artistry and the power of collaborative chemistry. Throughout his career, Bennett had a profound affinity for pianists, recognizing their crucial role in shaping the emotional landscape of his songs. His collaborations with esteemed pianists brought forth a unique and intimate musical experience for both him and the audience.

One notable pianist who left an enduring impact on Bennett’s career was Ralph Sharon. The two formed a long and fruitful partnership, working closely together on numerous albums and performances. Sharon’s sensitive and skillful piano accompaniment complemented Bennett’s vocals perfectly, allowing him to convey the emotions and nuances of each song with exceptional clarity. Their collaborative magic was evident in classics like “I Left My Heart in San Francisco” and “Fly Me to the Moon,” which resonated deeply with audiences and became signature songs for Bennett.

Another exceptional collaboration was with the legendary jazz pianist Bill Evans. Their joint album, “The Tony Bennett/Bill Evans Album” (1975), remains a masterpiece of intimate jazz interpretations. Evans’s improvisational prowess and Bennett’s interpretive skills combined seamlessly, resulting in an emotionally charged and introspective collection of songs. “Some Other Time,” “But Beautiful,” and “You Must Believe in Spring” are just a few examples of the mesmerizing moments they created together.

Bennett’s performances with pianists transcended the boundaries of traditional pop music, delving into the realms of jazz and sophisticated interpretations of classic standards. He embraced the spontaneity and musical interplay of live performances, often allowing the pianist to take the lead, further enhancing the magic of the moment. His deep appreciation for the artistry of pianists also extended to other notable collaborations, including Art Tatum and Bill Charlap.

In essence, Tony Bennett’s performances with pianists were marked by mutual respect, trust, and a shared passion for storytelling through music. The piano provided the perfect backdrop for Bennett’s expressive vocals, and together, they created a tapestry of emotions that left audiences captivated and moved. These magical musical moments stand as a testament to Tony Bennett’s enduring legacy as one of the greatest vocalists of all time and his unwavering commitment to the art of music.

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